In “Soul Duplex,” two complementary souls are depicted — yin and yang, masculine and feminine, or simply the dual aspects within a single being. The two lights, though opposite, intertwine and ascend together in luminous harmony. The orange light, the color of the sun, embodies yang: radiant, active, and filled with creative energy. The white presence represents yin: receptive, dissolving, and nurturing — the motherly force that embraces all. Just as all seven colors of light merge into white, this hue symbolizes totality and inclusion.

Beneath them lies a delicate datum line, a quiet reference to the ground — the plane that gives spatial anchoring while enhancing the sensation that both forms float freely within light.

The work expresses the truth that within the soul’s radiance, opposites coexist, balance, and unite — not in conflict, but as two luminous halves of one inseparable essence.